Writing for HS, AM (Scalice, '07)
Elliot Lee
Posted by ELee at 2007/07/18 15:32:21 PDT
Edited at 2007/07/18 21:22:32 PDT
Analytical Essay

What does America mean for, “America Is in the Heart,” written by Carlos Bulosan? For Carlos, America isn’t just a mean of escaping; it is a mean of expression. It gives him hope, promise, happiness, and unfortunately, pain and suffering. In his book, Bulosan describes his experiences at his hometown as well as the big city.
In order to find out about his life throughout the book, we must first look into his prior life. Carlos Bulosan was born to llocano parents in Pangasinan, Philippines in 1913. He traveled abroad to America, a place where he thought he could find work and a better place, in his 20s. He wrote a couple other novels including, “The Laughter of my Father,” “The Cry and the Dedication,” as well as many other non-published works. For a six-year period starting in 1950, the FBI conducted a systematic surveillance of Bulosan, a man thought to be a threat to U.S. national security interests. Bulosan, who found his way from the Philippines to America in the 1930s, became the literary voice in English of Asian immigrants of his day. Bulosan unfortunately died in 1956 from malnutrition and tuberculosis.
Bulosan had many struggles in his life. To begin, he had many conflictions at his home town. “At this time we had four hectares of land, which were barely sufficient to keep our family from starving.” (5) If four hectares of land, which is about 10 acres of land, was just barely enough to feed the entire family, then you can easily depict that the town they lived in wasn’t so great off. And if meeting ends meat was bad:

“… The Philippines was undergoing a radical social change; all over the archipelago the younger generation was stirring and adapting new attitudes. And although for years the agitation for nation independence had been rowing, the government was actually in the hands of powerful native leaders. It was such a juicy issue that obscure men with ample education exploited it to their own advantage, thus slowly but inevitably plunging the nation into a great economic catastrophe that tore the islands from their roots, and obfuscated the people’s resurgence toward a broad national unity.
For a time it seemed that the younger generation, influenced by false American ideals and modes of living, had become total strangers to the older generation. In the provinces where the poor peasants lived and toiled for the rich hacienderos, or land lords, the young men were stirring and rebelling against their heritage. Those who could no longer tolerate existing conditions adventured into the new land, for the opening of the United States to them was one of the gratifying provisions of the peace treaty that culminated the Spanish-American War.” (5)

The home of Carlos was becoming unrecognizable to him now. The home he once knew of became out of natural course, and he found the need to move to America. He had heard such great acquisitions from America and decided he could no longer tolerate his current home and their traditions and customs. However, it may not have been for dialogue that also drove him out of his village, but the lack of it.
“The ritual was very simple. But it was also the most dramatic of the series of colorful wedding events. My brother Leon carried his wife across the harvested fields to their new home. We followed, shouting with joy and throwing rice upon them. We stopped in the yard when they entered the house. Then we waited silently, anxious to see the black smoke come out of the house, for it would mean that the bride was a virgin. If no smoke showed, we would know that the groom had been deceived, and we would justify his action if he returned the girl to her people. It was a cruel custom, because the women could no longer marry when they returned to their parents, and would be looked upon with abhorrence and would be ostracized. But it was a fast dying custom, in line with other backward customs in the Philippines, yielding to the new ways of the younger generation that were shaping out sharply from the growing industrialism.
I do not think the smoke came out of the house where my brother and his bride were alone, because I remember the crowed milling around my father and rushing into the house. The men brought the girl out and tired her to a guava tree. The angry women spat in her eyes and tore off her clothes, calling her obscene names. When one of the men rushed out of the tool shed with a horsewhip, my father frantically fought his way through the crowed. He had hardly reached the girl when a man knocked him down, and he was trampled upon by angry feet.
The men must also have knocked down my brother Leon in the house. I saw him staggering toward his bride with blood on his face. He flung himself upon her, covering her bleeding body with his, and the stones and sticks fell upon him mercilessly. Then they tied him to the tree, beside his bride, and the angry peasants, who had been his good friends and neighbors a moment ago, began throwing stones at him.” (7)

There is still questionable reasoning that Leon’s wife was not a virgin, and that the reason why they didn’t start the fire was because they did not agree with the traditions of their village, or that they believed it was no one else’s business of her virginity. Nevertheless, their actions were soon forced upon them, and they left, never to be seen again. And it wasn’t long until Carlos did as well. However it is unclear about Leon’s interactions with America, but Carlos’s was very sorrowful.
“ ‘Let me alone!’ he shouted.
Julio hit him between the eyes, and the bookkeeper struggled violently. Julio hit him again. The bookkeeper rolled on the floor like a baby. Julio picked him up and threw him outside the house. I thought he was dead, but his legs began to move. Then he opened his eyes and got up quickly, staggering like a drunken stevedore toward the highway. Julio came out of the house with brass knuckles, but the bookkeeper was already disappearing behind the apple orchard. Julio came back and began hitting the door of the kitchen with all his force, in futile anger.
I had not seen this sort of brutality in the Philippines, but my first contact with it in America made me brave. My bravery was still nameless, and waiting to express itself. I was not shocked when I saw that my countrymen had become ruthless toward one another, and this sudden impact of cruelty made me insensate to pain and kindness, so that it took me a long time to wholly trust other men. As time went by I became as ruthless as the worst of them, and I became afraid that I would never feel like a human being again. Yet no matter what bestiality encompassed my life, I felt sure that somewhere, sometime, I would break free. This faith kept me from completely succumbing to the degradation into which many of my countrymen had fallen.” (109)

After being on trial, a judge tells him, “’You Filipinos,’ she said calmly, ‘ought to be shipped back to your jungle homes.’” (253) Because while the truncheon may be
used in lieu of conversation, words will always retain their power. Words offer the mean to meanings, and for those willing to listen, the pain and suffering.
“I felt consoled when I realized that this Social Service woman was only voicing a personal opinion, an individual hate against Filipinos. I had read enough books now to know the roots of racism: I had had experience with it when I was still on the outside.
I was crushed. I wanted to be brave, but there was no hope. And once again, as when I landed in the United States, I felt a rising tide of fear and revolt. Fear always worked this way with me. I had seen so much prejudice that I reacted murderously when confronted by it.” (253)

“Macario and I boarded a streetcar and went to the Vermont Avenue district. What we encountered there almost broke my heart. We saw a nice little apartment house near Commonwealth Avenue and when we approached the landlady took away the ‘For Rent’ sign. She went inside the house and peered furtively through a window. When sure that we would not go back, she went out to the yard again and put up the sign. The next woman was more discreet. She stood by the sign as we approached. ‘This house is not for rent,’ she said awkwardly. ‘The sign is nailed to the wall and it’s hard to pull out. Maybe you can find one next block.’ But the next woman faced the issue squarely. She said:
‘We don’t take Filipinos!’ ( 256)

Although Carlos believed that his trip to America would be similar to “Robinson Crusoe,” he was mistaken. "I came to know that in many ways it was a crime to be Filipino in California .... I feel like a criminal running away from a crime I did not commit. And this crime is that I am a Filipino in America." (252) And although he knows that America will not accept him because of his racial backgrounds, he still believes in America, and will not cease to stop believing in it.
"We in America understand the many imperfections of democracy and the malignant disease corroding its very heart. We must be united in the effort to make an America in which our people can find happiness. It is a great wrong that anyone in America, whether he be brown or white, should be illiterate or hungry or miserable."

In this quote, it is vital for us to note that he never says “in America, the people…” or “the people in America understand…” No, instead he says, “Our people…” or “We in America.” Nevertheless, he, like any other person, is an American.

‘”It is but fair to say that America is not a land of one race or one class of men. We are all Americans that have toiled and suffered and known oppression and defeat, from the first Indian that offered peace in Manhattan to the last Filipino pea pickers. America is not bound by geographical latitudes. America is not merely a land or an institution. America is in the hearts of men that died for freedom; it is also in the eyes of men that are building a new world. America is a prophecy of a new society of men: of a system that knows no sorrow or strife or suffering. America is a warning to those who would try to falsify the ideals of freemen.
“America is also the nameless foreigner, the homeless refugee, the hungry boy begging for a job and the black body dangling on a tree. America is the illiterate immigrant who is ashamed that the world of books and intellectual opportunities is closed to him. We are all that nameless foreigner, that homeless refugee, that hungry boy, that illiterate immigrant and that lynched black body. All of us, from the first Adams to the last Filipino, native born or alien, educated or illiterate- We are America! (189)

And in fact, he was right.


Posted by ELee at 2007/07/16 10:46:01 PDT
Analytical Practice

Why did they go through the Waig?
What is the relationship between the two brothers?
Why did the father say if they saw anyone on the way there?
Approximately how old is Baldo [in relationship to Leon]?
How innocent is Baldo?
Who is Leon? And who is Noel?
Who or what is Nagrebcan?
Is Baldo giving the rope to Leon a representation of something much bigger?
Who is Monong?
Why did Father instruct Baldo to go through the fields? And why did he not tell Leon?
Who or what is Castano and the calesa?
It seems that the relationship between Leon and Maria is much different between Leon and Baldo.
Is Ermita beach where Leon and Maria lived before?
Maria = Maring, Mayang, Manong?

Urban vs Rural areas? Maria vs The Family
Leon's name changed to Noel.
Leon = Rural name (Filipino for deceased)
Noel = More urban name from Maria
Because of Maria's ideals, she will stay Maria. Not Maring, Mayang, Ringy.
What is the significance of the song?
Laughter goes out of Maria, close to house. Scared that the family will not accept her.
"Sky Sown with Stars" sung when Leon and Father sung in the fields.
He taught the song to Maria. Introducing her to his home in the countryside.
Trying to comfort and bring home.
Why did they drive down the river bed? [Waig]
Maria and Leon don't want to be seen?
The father wanted them to not be seen. Why?
Concern of who she is.
Castano = carriage. Calesa = horse.
Test to see how Maria would react to the rural stuff. (non-city, to see if she will fit in.)
She has high heeled shoes. Loves Leon.
Taking an effort to fit in with Leon. Becomes part of his life.
Crying with mother and sisters -- (1) Tears of joy, (2) Father is dying, (3) Father doesn't want to accept.
Last thing is the Father hears Maria sang with Leon.
Presumption, she will fit in.

------
Shows up from the war, takes plow from Father.
Picks up Carlos spins him in the air. Puts him back down.
Ideals from abroad are false. Younger and older generation differenciate.
Instead, immigrate into america. Ideals don't work in Phillipines. Must move to America.
Bare this in mind, what is America? America is Lincoln.
Leon brings home a wife (Maria).
Leon doesn't want to start a fire because Maria is not a virgin.
Virginity doesn't matter. None of anyone's buisness.
They get beaten. Move away. Never meet Leon again.
There is social backwardness. [ideals] That dominate this life. Younger want something different.
Carlos neglected to count how many kids stood next to his brother and his wife.
Argument: Depicts a Phillipine country side and Carlos stood it on it's head. Oppression and drives people to immigrate.
Analytical essay: Phrase them into a question. A question about themes. What is that theme?
Differences between city and rural life. Encounter between the two. Idyllic countryside yet have social problems.
In Bulosan, a difference between progress and backwardness.
Idyllic is not true. Work your ass off, still starving.
THEME: CITY VERSUS COUNTRY.
Question: What do city and country mean for Carlos Bulosan and Manuel Arguilla?
What is the relationship to city and country for "America is in the Heart," by Carolos Bulosan, and "How my brother brough home a wife," by Manuel Arguilla.
Argument: For Carlos, city is affecting country in a bad way. City is more modern. Countryside not adapting to the modernity. In the person of Maria, the city is adapting to country. At a social level,
THEME: MARRIAGE.
Illegal for Carlos to marry white women.
THEME: TRADITIONS
Fire for virginity. Bulosan thinks customs and traditions are bad. He dislikes them.
Leon: Good customs and traditions. Foregin to Maria, adapt otherwise.
THEME: AMERICA.
How is America a good and bad place, experienced by Bulosan
What does America mean to Bulosan and Arguilla.
Arguments are inside the book, not outside. The way he describes America. Experiences, words he uses.


Posted by ELee at 2007/07/11 21:05:29 PDT
Article Response

I, like many other people, enjoy violence in movies. I also, like many other people, enjoy a cocktail party in an abattoir. But, how far is too far?

While analyzing David Walsh's article, we have to ask but one question to ourselves: How far is too far? Is Uma Thurman removing Daryl Hannah's only eyeball from her face, too far? Is Lucy Liu getting scalpeled, too far? What about Mickey Rourke dragging some guy's face along the highway in his car? Is that going too far?

If you've seen nothing, if the pollutions of our media remain unknown to you then I would suggest you allow this article to pass unmarked. But if you see what I see, if you feel as I feel, and if you would seek as I seek, then I ask you to watch a gory movie and not say, "Whoa, that was awesome how he amputated that guys arms and legs and tied him to the tree to get killed by a dog."

Hell, we love violence. We live off of violence. We are a people based on violence. Certainly eliminating violence won't solve anything. But there is a fine line between violence for a cause, and violence for entertainment. Either can be pushed to extremes, however, oversight of either one can lead to catastrophe.

So you ask, how far is too far? Well, we'll never know.


Posted by ELee at 2007/07/08 14:00:19 PDT
Response

Here is a speech given by V, from "V for Vendetta," and anyone who reads it will appreciate the valor and beef of it all.

"Good evening, London. Allow me first to apologize for this interruption. I do, like many of you, appreciate the comforts of every day routine- the security, the familiar, the tranquility, repetition. I enjoy them as much as any bloke. But in the spirit of commemoration, thereby those important events of the past usually associated with someone's death or the end of some awful bloody struggle, a celebration of a nice holiday, I thought we could mark this November the 5th, a day that is sadly no longer remembered, by taking some time out of our daily lives to sit down and have a little chat. There are of course those who do not want us tospeak. I suspect even now, orders are being shouted into telephones, and men with guns will soon be on their way. Why? Because while the truncheon may be used in lieu of conversation, words will always retain their power. Words offer the means to meaning, and for those who will listen, the annunciation of truth. And the truth is, there is something terribly wrong with this country, isn't there? Cruelty and injustice, intolerance, and depression. And where once you had the freedom to object, think, and speak as you saw fit, you now have censors and systems of surveillance coercing your conformity and soliciting your submission. How did this happen? Who's to blame? Well certainly there are those more responsible than others, and they will be held accountable, but again truth be told, if you're looking for the guilty, you need only look into a mirror. I know why you did it. I know you were afraid. Who wouldn't be? War, terror, disease. There were a myriad of problems which conspired to corrupt your reason and rob you of your common sense. Fear got the best of you, and in your panic you turned to the now high chancellor, Adam Sutler. He promised you order, he promised you peace, and all he demanded in return was your silent, obedient consent. Last night I sought to end that silence. Last night I destroyed the Old Bailey, to remind this country of what it has forgotten. More than four hundred years ago a great citizen wished to embed the fifth of November forever in our memory. His hope was to remind the world that fairness, justice, and freedom are more than words, they are perspectives. So if you've seen nothing, if the crimes of this government remain unknown to you then I would suggest you allow the fifth of November to pass unmarked. But if you see what I see, if you feel as I feel, and if you would seek as I seek, then I ask you to stand beside me one year from tonight, outside the gates of Parliament, and together we shall give them a fifth of November that shall never, ever be forgot."

I believe what he believes. I believe that we live our lives, day after day, doing the same things-- and we feel good about it. "Because while the truncheon may be used in lieu of conversation, words will always retain their power. Words offer the means to meaning, and for those who will listen, the annunciation of truth. And the truth is, there is something terribly wrong with this country, isn't there? Cruelty and injustice, intolerance, and depression." And although this is Parliament, and although what Sir Thomas More deemed as Utopia in 1515, this "ideal society" has lost its meaning in our world. What we call unfortunate events and inadequacy is exactly what the author, in this so called "rant," is talking about in his second premise of his worldview. "How did this happen? Who's to blame? Well certainly there are those more responsible than others, and they will be held accountable, but again truth be told, if you're looking for the guilty, you need only look into a mirror."

This, "ideal society," is no more than a fragment of our imagination. Not because it's too far out of our reach, but because we're too far out of it's reach. This idea never changed, this feeling never changed, the only thing that changed was us; and it was for the worse. We allowed ourselves to believe that our government was going to put band aids on our every mistake, and that we had this mindset that whatever we did was meaningless. All the government wanted was our, "silent, obedient consent," in return for "peace" and "order". And that was our fatal flaw in the logic of libertarianism.


Posted by ELee at 2007/07/05 11:54:35 PDT
Word play

Undescriptive word: skinnier

Uncle Tony, the skinnier, Asian-version of Seinfeld's Jason Alexander, would make ribs.

Revised: Uncle Tony, the lanky and lean Asian-version of Seinfeld's Jason Alexander, would make ribs.

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Tangible nouns:
world, cake, pie, trees, anchor, glasses, mike and ike candy, light, Godzilla, trucker hat, cellphone, cookies

Intangible nouns:
wisdom, fear, hate, love, sadness, dreams, truth, thoughts, compassion, justice, religion, somber, feelings

Metaphors:
A cake of love
An anchor of hate
A light of religion
A Godzilla of dreams
A tree of fear
A pie of compassion
A glass of wisdom
A light of truth
A world of thoughts

Forms:
A anchor of hate
Hate is an anchor
Hate's anchor

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Yellow:

Yellow is the color of new journies. The color of a new day in the brisk dawn of defeat. Yellow is the beginning, the end, and the start of all things imaginable. Light's yellow brings wantons light of heart. Versatility and agility..... :[

Chocolate:

Chocolate is the color of new journies. The color of a new day in the brisk dawn of defeat. Chocolate is the beginning, the end, and the start of all things imaginable. Chocolate's happiness brings wantons light of heart.

revisions: journies looks funny. strangely, it flows really well.

Water:

Water is the color of new journies. The color of a new day in the brisk dawn of defeat. Water is the beginning, the end, and the start of the flow of life. Water's effusion brings wantons light of heart. Versaility and agility able water to uniqueness and elusiveness.

Yellow/Chocolate/Water:

Fun is what connects these three things together. Water is fun. Chocolate is fun. Yellow seems fun. And yet, all these three things take different forms.

New words:

Red is the color of new journies. The color of the end of a harsh day in the brisk dawn of defeat, and the beginning to a new yellow. A new yellow brings wantons light of heart.


Posted by ELee at 2007/07/01 21:55:11 PDT
Descriptive Essay

I remember the old, abandoned tire swing in the backyard. It swayed like a gigantic pendulum in the faint wind from the stable, yet seemingly undependable, branch that it hung from. Behind the wooden fence of their backyard, swam lush grass over the voluptuous hills that ended with finely cut houses. In the same faint wind, blows the sea with unison and uniform of green for miles.

I remember a rusted, charcoal black barbecue that sat next to the tire swing. It was only used on family reunions and other special occasions. Uncle Tony, the skinnier, Asian-version of Seinfeld’s Jason Alexander, would make ribs. After being forced to try new variations of Tony’s different barbecue sauce, his family would be sickened until it was perfect. He would accumulate many different items and chuck them all together in a big stirring pot and wooden spatula. In the end, no matter what things he did or did not add to the pot, is what made the sauce special. They all mixed into something that was flawless in a certain way.

I remember my aunt’s laugh. It sounded like the death of a squirrel being pummeled by a truck. My cousins and I used to lock eyes at each other before cracking up the moment we heard it. She had bright, crimson red hair that deviated from most Asians’, and wore ruby pink lipstick to compliment.

I remember an old, wooden, grand piano that sat in the living room. Every key, no matter in what combination, sounded congenial with the acoustics of a tall ceiling. My cousins were geniuses and how they would improvise piano songs conveyed through many different tunes. On the couch that faced the same direction as the piano, we would just listen, think, or in some cases, sleep, as they continued throughout their harmonic melody.

I remember my cousin’s house.


Posted by ELee at 2007/06/28 10:24:34 PDT
Edited at 2007/07/01 21:56:21 PDT
Descriptive Essay

Messed up

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